![]() ![]() “Roughly 80 of which were continuing our work of bringing Vision to life, combining the performance of Paul Bettany with a CG head and facial features. “Altogether we completed nearly 200 shots,” states Lola Visual Effects Supervisor Trent Claus. #Captain america actor trevor hogg movie#“We even got to produce large format rendered stills for a few of the posters and magazine covers – just as difficult as some of the shots!”Ĭaptain America: Civil War marks the 11 th Marvel Studio movie for Lola VFX. “A short, but rewarding experience, working for the slick, well oiled Marvel machine,” notes Clamp. #Captain america actor trevor hogg full#It’s a subtle look, which we nailed for the snow sequences and adapted for the rooftop fight sequence and again for the interior bunker shots.” Other responsibilities for Cinesite included Scarlet Witch costume fixes, full CG Quinn jet animation and weapon concept work. Throughout the show, Production was insistent that the suit should not look like a wet suit and have a metallic, chain mail like quality. We used the shot plates as a starting point for our look development, from there working up more detail for the tight, woven armoured mesh the suit is constructed from. In our first sequence, we had to completely replace the practical on-set suit, and exactly match move the actor’s performance. We rigged Black Panther for our pipeline. “Textures went through three upgrades during the time we were working on the shots. “Production supplied the Black Panther model and textures,” remarks Clamp whose toughest creative challenge was nailing the look of the African superhero making his big screen debut. From our first passes, Dan gave further direction for us to edit.” “I’d just come off another movie featuring light flurries to more heavier down pours of snow – so I had a pretty good understanding of what was needed and used those setups from Houdini as a starting point. “For the rock-covered entrance to the base, we completely remodelled the rockwork, replacing everything from the set piece to create a more organic appearance and really buried/bonded it to the mountaintop.” Snow effects needed to be produced. “Production supplied Cinesite with many aerial plates of Iceland for the Siberian Environments which we were able to stitch together or take sections from to construct our Hydra missile base,” states Simon Stanley-Clamp. Everyone knows what Cap’s shield should look like or Bucky’s arm or a Quinjet or a Hydra soldier.” ![]() “There was a lot of pre-existing reference such as concept art, previs and postvis as well as the growing ‘library’ of films in the Marvel Universe. There was a definite brief to work with, a locked cut, prebuilt assets and plenty of references to match to except for an exact look for the Black Panther.” Dan DeLeeuw conducted conference calls via cineSync where he would run through cuts and incorporate editorial temps, previs or postvis. “Cinesite came on board late into production. Trevor Hogg looks back at the visual effects created for Captain America: Civil War by speaking to Cinesite, Lola VFX and Animal Logic…Ī group of visual effects companies from around the world consistently contribute to the Marvel Cinematic Universe and among them are Cinesite, Lola VFX, and Animal Logic they were called upon once again by Marvel Studios Visual Effects Supervisor Dan DeLeeuw to do various tasks ranging from snow effects, envisioning an otherworldly being, holograms, and HUD graphics for Captain America: Civil War.ĭelivering 80 visual effects shots was Cinesite VFX Supervisor Simon Stanley-Clamp who utilized Photoshop, Maya, Houdini, Nuke, Silhouette, After Effects, and Ftrack. ![]() Posted by Trevor Hogg on in action, All, Comics, drama, fantasy, Film, Interviews, sci-fi, thriller, war | 0 comments ![]()
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